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If you decide to use this scheme you need to have a very big pocket book and incredible discipline to step away when you earn a small success. For the purposes of this essay, a figurative buy in of $2,000 is used.
The Horn Bet numbers are surely not looked at as the "successful way to compete" and the horn bet itself carries a casino edge of over 12 %.
All you are betting is 5 dollars on the pass line and a single number from the horn. It does not matter if it is a "craps" or "yo" as long as you wager it consistently. The Yo is more established with people using this scheme for clear reasons.
Buy in for $2,000 when you sit down at the table however only put five dollars on the passline and one dollar on either the 2, three, eleven, or 12. If it wins, great, if it loses press to two dollars. If it does not win again, press to $4 and continue on to eight dollars, then to sixteen dollars and following that add a one dollar each subsequent wager. Every time you don’t win, bet the last wager plus an additional dollar.
Using this scheme, if for example after 15 rolls, the number you selected (11) has not been thrown, you likely should march away. Although, this is what might happen.
On the 10th toss, you have a sum of $126 in the game and the YO at long last hits, you earn three hundred and fifteen dollars with a take of one hundred and eighty nine dollars. Now is a good time to march away as it’s more than what you entered the game with.
If the YO doesn’t hit until the 20th roll, you will have a total wager of $391 and seeing as current action is at $31, you win $465 with your profit of $74.
As you can see, using this approach with just a $1.00 "press," your gain becomes tinier the more you bet on without attaining a win. That is why you have to march away once you have won or you should bet a "full press" again and then continue on with the $1.00 increase with each toss.
Carefully go over the numbers before you try this so you are very familiar at when this scheme becomes a non-winning affair rather than a winning one.
